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That’s a great workflow for broadcasters who need to repurpose across social media and TV.Īnother future-facing format that Premiere Pro CC 2019 can now handle is 180VR, which (as its name suggests) is basically half of the full 360-degree spherical field of view. What’s clever, though, is that you can start your project in Rush – and push it a long way down the path, including publishing a version straight to the web – and then add finesse via Premiere Pro. Whereas the desktop Rush saves changes back to the cloud, Premiere Pro saves changes locally, and with that capability comes more sophisticated effects that aren’t compatible with Rush.īest photo editing software 2022: The best Windows and Mac software to make your photos sparkle, from £49 It’s fine if all you want to do is edit in vertical and square aspect ratios, add titles and voiceovers, and then publish directly to YouTube, Facebook or Instagram, but to take your work that further step you need Premiere Pro CC 2019.īuy now from Adobe Adobe Premiere Pro CC 2019 review: Features Why mention it now? Because, while Rush has specialised tools for creating video that’s been shot on smartphones, or destined to be viewed on smartphones, all your edited files and media are stored in the cloud via your Adobe account. Initially, this arrived on iOS, but the desktop version soon followed. In recognition of this trend, Adobe launched a special cut-down version of Premiere Pro in October 2018 called Premiere Rush. The 2018 Turner Prize winner, a half-hour single-screen video shot on a phone, is a perfect example. We all instinctively know that non-professional video production is shifting from camcorders to phones, but it’s even happening in the professional space.
